communities Venetian Erechim, New Rome and Santa Maria await the arrival of the Compagnia Teatro Kalambur , Venice, professional theater group, well known in this city and in the Veneto, directed by competent actor and director Alessio Nardin. Reach the state on 15 March 2011 and will make only three appearances in the RS: the day in Erechim 17.03, 03.20 days in Santa Maria and 23.3 days in New Rome. The Kalambur Theatre will present the play this time Il Bugiardo " , written by Carlo Goldoni, success in many presentations of Venice and other cities of Venice. Promoting COMVERSE - Comitato Veneto RS and Polesani Associazione nel Mondo, organized by the leader Marco Dilello and also has the support of the prefecture of the Comune di Cittadella (Sindaco Marcello Mezzassalma). It will also be accompanying the delegation Mr. Antonello Bertin. In Erechim the entrance to the show and registration for workshops will be totally free (supported by the Ministry of Culture with the release of the cultural space) and may be withdrawn at the Cultural Center box office and also at the headquarters of La Piave FAINORS. Registration for the workshops are available by phone Erechim 54.33212709.
Dr. Luiz Carlos B. Piazzetta
Comverse
The show
The interweaving of the plot unfolds with lightness, humor and moments of deep humanity, through scenes that inspired canvases of English origin, Peter Cornelius, and finally the work of Goldoni. What emerges is a drama in which the main theme is the first lie as a form of artistic creation, how naive can see the world differently and, perhaps, better: All this unfolds through the unfolding of amorous intrigues, love affairs, jealousies, power, money and social misery. The development of the plot is enhanced by live music, dancing, fighting, pantomime, poetry and moments of social satire, unexpected characters ...
The show, particularly suitable for families and children, fits into a frame style typical of the Commedia dell'Arte, with love, intrigue, disguises, transformations, twists, recognitions. In action, the masks of comedy classics: Zanni, Arlecchino, Pantalone, Dottore, Capitano, Lovers, ... eighteenth century in a context, typically Goldoni, with a dramatic modern and original content.
The plot
Lelio, the son of trousers, having lived an adventurous and profligate in Naples, he returned to Venice, where he arrived just continues to rely on his talent of an unrepentant liar. Upon arriving he ran in the middle of a serenade that Florindo, so loving, secretly directed to Rosaura. The latter can be found on the terrace of the house with her sister Beatrice, which competes with the time. Without delay, Lelio, assisted by the faithful servant Arlecchino, comes forward, attracting the attention of two girls (daughters of Scholastic, the widow of a famous doctor of Bologna and now in ruins) credit for obtaining the free singing. From here begins a glittering game of "spirit inventions," as the fantasy hero defines his lies: he invents several false identity: Is a rich Neapolitan knight in love with Rosaura, pretends to be a friend of himself with his father, claims to have enjoyed the favors of the sisters with severe Ottavio, a lover of Beatrice . Even when caught red-handed and / or is belied by the facts, do not lose heart and changes with cunning identity and history, though he convincingly. All this until they reach the size of his lies that even he can not control ...
Benedini Starring Silvia, Andrea Cereda, Cristina Gianni, Giovanni Longhin, Annagaia Marchioro, Alessio Nardin,
Costumes Masks Gianfranco Gallo Silvia Benedini
dance and choreography Vitalba D'Aguanno
Drama Alessio Nardin (with input from the actors)
Regia Alessio Nardin
Director's
The lie is an artifact of the mind that has fascinated thinkers and writers since the time of St. Augustine. If on the one hand, the lie may be negative, but freed by a moral lie open to the dream of what does not exist but that you want and this is the creator, is a source of inspiration. The lie is a powerful technique for identification. The lying liar who identifies herself in the mind, so it shares a particular reality that unites them. From this embryo identification technique can rise to the theater and the "theater within theater" as those areas of human experience in which each is allowed himself to be more. In fact with falsehood, through the rugged archipelago deceit, misunderstanding and fiction, but also of bad faith, and hypocrisy of the simulation, we stage a kind of theater. To lie, even to themselves, must be at least two. Then in a more general critique denies the truth of the world "as is", the practice of knowledge and powers, the critical lie invented the world "so as it should be. " In this work we had to investigate and reveal the contradictions, the humor and the grotesque of all the characters that revolve around the "liar" and as a creator of his characters makes them unique staging. All through the instruments, both dramatic and comic, which provides the Commedia dell'Arte actors: game, stunt, multilingualism, grotesque, etc ... In this paradox we have grappled with the intent to engage in such an operation, too person attending this experiment.
Alessio Nardin
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